8/17/2023 0 Comments Famous ephemeral artOn a larger scale, festivals such as the Seattle Recycled Arts Festival have also been initiated with positive response year after year. This includes Art of Recycle in Pennsylvania, a non-profit community art center that aims to inspire artists in developing skills by using discarded, unwanted and excess items they seek to create generations of artists who are more environmentally conscious. Eco-artists have sprung from this movement, bringing new meaning to their works by engaging with the “reuse, reduce, and recycle” slogan through their craft.Īs a result, many eco-friendly artistic initiatives have sprung into action. Around the world, artists, designers, and architects are putting recycling at the forefront of their practice and using their works to highlight the impact that our waste has had on the environment.Ĭlimate change has held the attention of millions of individuals for years, with many participating in movements around the world to speak up about their collective grief over the loss of biodiversity, additionally calling for government action to implement change. Where can I see him: Sadie Coles, Audley Street, London W1, to 16 June.One man’s trash truly is another man’s treasure, especially when it comes to these following creatives. Street art: Bell finds many of the old paintings he uses at Mauerpark, the legendary flea market in his native Berlin. He transforms his fake of a fake into a trippy evocation of introspective reverie, fusing the original dark figure with a spectral waif based on a photo of a Pina Bausch dancer. Why we like him: For Untitled 2012, a reworked reproduction of what was once considered Rembrandt's greatest achievement, The Man With the Golden Helmet, before it was attributed to one of his students and denigrated as an art historical also-ran. Images and ideas shimmer and dissolve everything seems in flux, uncertain, just out of reach. At the drawing's centre stands a Blakean figure, beneath occult symbols of an eye and a crescent moon. Here the chequered pattern of the couch resurfaces, dissolving into Bell's Love icon as it unfurls across the paper. (One of Bell's references here is Tarkovsky's 1972 metaphysical sci-fi film Solaris, in which a space traveller meets the double of his dead wife.)īehind this, a huge drawing hangs, its layered forms coming in and out of focus. Swirling shapes coat its body in a silvery graphite skin, while two red teapots are positioned like planets orbiting the sun of an old lamp. A bald, partially-limbed mannequin reclines on a gutted black leather couch, rescued from the street. ![]() Its centrepiece is an idiosyncratic constellation of found detritus and the painstakingly hand-worked. References and symbols might resurface across eccentric assemblages of junk-shop finds, light works and, most recently, industrial-looking metal text sculptures and paintings that fold the letters of the word "love" into a self-enclosed logo like the VW icon.īell's current London show, Soft is Hard (Work), explores the real and the fake – be that an original artwork and a digital reproduction, an event and its memory, or a beloved and our fantasies. ![]() The mood shifts rapidly, from the gentle touch of gauzy drawings to the harsh slap of bright, messy paint.
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